Dr. Jose B. Capino
- English Bldg, 608 S. Wright St., M/C 718, Urbana, IL 61801
Ph.D. in Radio/Television/Film, Northwestern University, M.A. in Radio/Television/Film (Film Production), Northwestern University
Film/Visual Culture, Post-colonial, Theory & Criticism, Gender/Sexuality Studies
Documentary Film and Video, American Documentary, Film Historiography,Cultures of U.S. Imperialism, American Independent Cinema,Survey of International Cinema I, Spike Lee, Martin Scorsese, Introduction to Film, Proseminar in the Teaching of Film
Documentary Film and Video, National and Transnational cinema, Postcolonial Criticism, Gender & Sexuality Studies, American Independent Cinema, Post-Colonial Criticism, Theory and Criticism, Gender/Sexuality Studies
Film/Visual Culture, Post-Colonial, Gender/Sexuality Studies, Theory & Criticism, Asian American
Work(s) in Progress
"Projections of Empire: American Documentary and United States Imperialism" (book manuscript under revision), "Martial Law Melodrama: Lino Brocka and the Cinema of Authoritarianism" (book manuscript in progress)
José B. Capino is a scholar of Philippine Cinema and of American Documentary and Independent Cinemas. His primary areas of interest are in film historiography, colonial and postcolonial visuality, melodrama, and sexuality in cinema. His work is informed by rigorous multi-archival research and engages both cultural theory and critical perspectives in cinema studies.
His first book, “Dream Factories of A Former Colony: American Fantasies, Philippine Cinema” (Minnesota, 2010) studies the critique of U.S. imperialism and the constitution of a postcolonial cinema in Filipino movies from the 1940s to the mid-2000s. The book won the prestigious cultural studies book prize from the Association of Asian American Studies in 2011.
Professor Capino is currently finishing two major research projects. “Martial LawMelodrama: Lino Brocka’s Cinema Politics and the Marcos Dictatorship” studiesthe figuration of politics in the genre films of the pathbreaking Filipino director. The book draws from numerous primary sources and archival material to offer a textured account of Brocka’s work. Inspired by the writings of philosophers, critical theorists, and film scholars, the book intervenes in broader discussions of how popular cinema registers and responds to political events. “Projections of Empire: Documentary and American Imperialism” examines the changing ways in which U.S. empire has been conjured in nonfiction films and videos about its only former colony, the Philippines. This study of colonial and postcolonial visuality considers a wide range of films, from late 19th century reenactments of the Philippine-American War to 21st century television documentaries about Filipino émigré teachers in Baltimore. The product of more than 20 years of research at archives all over the U.S. and in the Philippines, this book is based on “Cinema and the Spectacle of Colonialism,” grand prize winner of the 2003 Dissertation Award from the Society of Cinema and Media Studies.
Capino is the author of various essays on sexuality in the cinema, American independent film, the documentary, animation, Philippine cinema, and Philippine theater. He wrote the teleplay of a landmark documentary on the Philippine National Hero José P. Rizal and has translated both classic and contemporary world drama for the Cultural Center of the Philippines.
Specializations / Research Interest(s)
- Film/Visual Culture, Documentary Cinema, Postcolonial Criticism, Gender/Sexuality Studies, Asian American Studies, Philippine Studies
Distinctions / Awards
- Winner of the 2012 Book Award in Cultural Studies from the Association for Asian American Studies
- Dream Factories of a Former Colony: American Fantasies, Philippine Cinema. . Minneapolis and London: University of Minnesota Press, 2010.
- "Figures of Empire: American Documentaries in the Philippines." The Colonial Documentary Film in South and South-East Asia. . Edinburgh: Edinburgh University Press, 2016. 79-104.
- "Domestic Helper." Figures of Southeast Asian Modernity. . Ed. Joshua Barker, Erik Harris, and Johan Lindquist. Honolulu: University of Hawai'i Press, 2014. 23-25.
- "Cinema and the Usable Past." American Cinema of the 1990s. . Ed. Chris Holmlund. New Brunswick: Rutgers University Press, 2008. 180-202.
- "Asian College Girls and Oriental Men with Bamboo Poles: Reading Asian Pornography." Pornography and Culture. . Ed. Peter Lehman. New Brunswick: Rutgers University Press, 2006. 206-219.
- "Philippines: Cinema and its Hybridity (or You’re Nothing but a Second-Rate, Trying Hard Copycat)." Contemporary Asian Cinema: Popular Culture in a Global Frame. . Ed. Anne Ciecko. Oxford: Berg, 2006. 32-44.
- "Wakefield Poole, Independent Cinema & The American Avant-Garde." Contemporary American Independent Cinema from the Margins to the Mainstream. . Ed. Chris Holmlund and Justin Wyatt. New York: Routledge, 2004. 155-173.
- "Soothsayers, Politicians, Lesbian Scribes: The Philippine Movie Talk Show." Planet TV: A Global Television Studies Reader. . Ed. Lisa Parks and Shanti Kumar. New York: New York University Press, 2002. 262-274.
- "Seizing Moving Image Pornography." Cinema Journal 46.4 (2007): 121-126.
- "The Damned: Lino Brocka’s Infernal Melodrama, 'Insiang'." Film Comment 42.5 (2006): 12-14.
- "Homologies of Text, Space and Spectatorship in All-Male Adult Theaters." Cinema Journal 45.1 (2005): 50-65.
- "Learning from Darna, Dyesebel, Barbi, and Vampira: Notes on the Hybridity of Philippine National Cinema." Ideya 7.1 (2005): 45-58.
- "Filthy Funnies: Notes on the Body in Animated Pornography." Animation Journal 12 (2004): 53-72.
- "Prosthetic Hysteria: Staging the Cold War in Filipino/American Docudrama." Plaridel: A Journal of Philippine Communication, Media and Society 1.1 (2004): 1-14.
- "Lino Brocka." Exhibition catalogue of the 23rd Torino International Film Festival. Torino: Museo Nazionale Del Cinema, 2006. 206-211.
- "Manila: in the Claws of Neon/Maynila: Sa mga Kuko ng Liwanag." Routledge Encyclopedia of Films. Abingdon, OX: Routledge, 2014.