Department of English, College of LAS, University of Illinois


Matthew Hart

Assistant Professor of English and Criticism and Interpretive Theory

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Contact Information

Office Hours

  • W 9-11

Education

PhD University of Pennsylvania, 2004; MA University of Sussex, 1997; MA (Hons) University of Edinburgh, 1996.

Courses

I teach classes in British literature, modernist poetry, critical theory, the novel, and contemporary writing. I also have a side interest in contemporary art. My graduate seminars have focused on topics like fictions of transnationalism, the idea of the vernacular, and culture and the state. I'm offering a new class in Fall 2009, "English 300: Contemporary Black British Writing," and co-teaching an interdisciplinary arts seminar with Lisa Dixon from the Theatre Department. Sadly, this will be my last year at Illinois. From July 2010, I will take up a new position at Columbia University.

Research Interests

20th- and 21st-century Anglophone Literature, Contemporary Fiction, Poetry and Poetics, Modernism and its Legacies, Contemporary Art, Political Theory

Publications

Books

  • Nations of Nothing But Poetry. New York: Oxford University Press, 2010.
  • Contemporary Literature and the State. A Special Issue of Contemporary Literature 49/4. Ed. Matthew Hart and Jim Hansen. 2008.

Book Contributions

  • "Regionalism in English Fiction." Cambridge Companion to the Twentieth-Century English Novel. Ed. Robert Caserio. Cambridge U. P. , 2009.
  • "All The Downtown Tories: Mourning Englishness in New York." Empire and After: Englishness in Postcolonial Perspective. Ed. G. MacPhee and P. Poddar. Berghahn Books, 2007. 183-201.
  • "Tradition and the Postcolonial Talent: T. S. Eliot vs. E. K. Brathwaite." The International Reception of T. S. Eliot. Ed. S. Bagchee and E. Daumer. Continuum, 2007. 5-24.
  • "The Cartographic Uncanny." Layla Curtis. Locus + Arts, 2006. 43-47.

Journal Articles

Reviews

Works in Progress

  • "Late Britain," a book manuscript on the politics of transnational culture in the millennial UK.
  • Essays on extraterritoriality in W. G. Sebald, hauntological politics in Tom McCarthy and Nicola Barker, and the photography of Melanie Friend